Taylor Antrim from Vogue didn’t mince words when reviewing Vogue, saying it, “has a harebrained plot, scene after scene of actors staring blankly into space (scrolling through their enhanced vision), zero romantic chemistry between the two leads, and a twist of an ending that makes you shrug.”
In these kinds of movies, sometimes a really clever twist can redeem the lesser aspects of the film, but according to Antrim, the twist isn’t even worth the price of admission, or the price of streaming in the case of Anon on Netflix. The picture Antrim paints also makes it seem like a pretty boring film.
Finally, Matthew Bond from the Daily Mail UK did echo Miller’s comments of the movie being stylish, but didn’t have anything good to say about the rest of the film. Bond said, “An undeniably stylish-looking film noir but is hampered by an overworked screenplay.”
Pretty much none of the reviews said the screenplay is good, which is shame considering how good Niccol’s projects can be.
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